Adčle Samphire

Amy Huppler

Anita DeLong

Bob Bush

Cathi Jefferson

Christiane Fortier

Her more recent clay work - bowls and flower containers - explore new directions in shape, form and texture.

Christine Dell

“Playfulness, joy and the beauty of life. This is the energy that has been the focus of my foray into the land of teapots and other functional objects.

Crawford Colquhoun

Crawford started hand modelling clay animal toothbrush holders in 1986 as an offshoot of another project.

Debra Sloan

I am passionate about clay as an art material because it has been clay objects, past and present, that have provoked my most profound aesthetic experiences.

Friederike Rahn

Why pots? Because I want to make objects which come fully to life in use, therefore require participation; to cook soup, arrange flowers, or drink tea. Pots celebrate the domestic space and everyday acts like serving and eating food.

Geoff Searle

He has been potting ever since 1972, producing lines of stoneware and porcelain as well as an extensive range of raku and pit-fired pieces much to the delight of pottery enthusiasts worldwide.

Gillian McMillan

Gillian has been making pots and teaching pottery for several decades. Since graduating from Emily Carr Institute of Art & Design in 1994, she has concentrated on working with electric-fired, slip-painted earthenware.

Gordon Hutchens

Gordon's work is well known for the depth and diversity of his glazes and strength and refinement of his forms.

Graeme Allemeersch

My work explores the nature of form and decoration in pottery the way in which one tends to dominate the other or to be superfluous to the other.

Jack Olive

Jean Marie Claret

Jim Etzkorn

Jim makes functional and decorative work that finds expression through the exploration of form.

Judith Burke

Judith uses a wheel as well as hand building to shape stoneware, porcelain, and terracotta. She then uses reduction or saggar firing.

Junichi Tanaka

Kathryn Youngs

My pots have a "function" that is akin to theatre props - they convey the idea of a vase but their "role" relates to movement, art heroes, and colour.

Kinichi Shigeno

Since establishing his own studio many years ago, he has developed the versatility and craftsmanship to work in both functional ware and sculptural.

Laurie Rolland

Laurie Rolland of Sechelt, BC has made her living as a potter since graduating from Sheridan in 1978.She has worked almost exclusively in oxidation and is known for her hand built vessels.

Linda Bain-Woods

My work is made from earthenware clay and is glazed using the majolica technique.

Linda Doherty

From my first class over 30 years ago and throughout my life as a potter, I still find myself designing pots as I fall asleep at night. I enjoy the physicality of clay and pushing it to its limits.

Maggi Kneer

Each piece is decorated with up to six different glazes, layered for richer depth of colour and finished with traditional ceramic transfers. Decorative and functional, each piece can be used in the oven, dishwasher and microwave.

Manny Meyer

Mary Fox

Nancy Walker

Nancy Walker is an inventor, a person who experiments and accepts lessons from her materials. She is a creator of mythologies and surprising visual possibilities.

Penny Birnam

These creatures are my attempt to give meaning to my life.

Rachelle Chinnery

When I carve, the hypnotic essence of the ocean is with me. Sculpting porcelain allows me to express the spirit and nature of water in movement and translucency.

Sue Hara

Suzy Birstein

All of my work is an expression of my passion to play with and explore colour and form.

Sylvia Ohrn

I am interested in the changes that can occur with the interplay of form, function and surface design. Playing with these elements is what I find interesting and challenging.